Clay Carter has been working in The Office of the Public Defender for too long, and he dreams of better things. When he reluctantly takes the case of a young man charged with a random street killing, he assumes it's just another of the many senseless murders that hit Washington D.C. every week. But as he digs deeper, Clay stumbles upon a conspiracy too horrifying to believe. A pharmaceutical giant has been secretly and illegally testing a new drug on addicts — one that helps stop addiction, but which drives them to random acts of violence. Overnight, Clay becomes a celebrity among lawyers and a national media figure. But as the financial stakes rise, so does the danger.
A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos — Irish Independent.
John Grisham is the master of legal fiction — Jodi Picoult.
The best thriller writer alive — Ken Follett.
John Grisham has perfected the art of cooking up convincing, fast-paced thrillers — Telegraph.
Grisham is a superb, instinctive storyteller — The Times.
Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own — Daily Record.
Masterful — when Grisham gets in the courtroom, he lets rip, drawing scenes so real they're not just alive, they're pulsating — Mirror.
A giant of the thriller genre — TimeOut.
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