Charles Dickenss experience and imagining of creativity is at the heart of his self-awareness, subject-matter, and narrative. His intelligence works intuitively rather than conceptually, and ideas about imagination often emerge informally in personal letters and implicitly through characters, language, and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subversion, and disorder, poetry, and inter-textuality, anticipating and shaping the languages of modernism, influencing James Joyce and Virginia Woolf as well as traditionalists like H.G. Wells and Evelyn Waugh.
Discussing Dickenss novels and some of his letters, sketches, essays, and stories, Barbara Hardy offers a fascinating demonstration of creativity.
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